Some images are not only seen. They are felt.
When I take photographs, I notice more than shapes and colours. I am also moved by the atmosphere of a place: its stillness, its vitality, its strength or the memories it awakens in me.
In nature especially, I often sense a unique energy. A sunflower can radiate joy, a thistle resilience, and the sea freedom and a sense of infinite space. Through my photography, I seek to capture this effect and preserve it in my designs.
That is why not every photograph becomes a fabrari motif. From the many images I take on my travels, I select only those that tell a special story and evoke a feeling in me.
The way we perceive an image is always personal. You may feel something entirely different when you look at it. To me, that is precisely where its power lies: a motif carries my story within it – while also having the potential to become part of your own.
Wear the world – making the world wearable
My passion for travel and photography has shown me just how diverse, powerful and inspiring our world is. I did not want merely to photograph its beauty and preserve it on a screen or in a photo album. I wanted to make it visible, share it and bring it into everyday life.
This is how a personal photography idea grew into a fashion label.
To me, wear the world means more than wearing images of different places. It is about connection:
I experience the world.
I capture a special moment.
I translate it into a design.
You carry a piece of that world forward.
In this way, photography becomes fashion – and a garment becomes a true conversation piece.
My perspective on the world
My own story also shapes the way I see the world through my camera. As an Austrian-Iranian, I move between two cultures, different perspectives and many interpretations of beauty.
Through fabrari, I want to connect people, places and cultures. It is especially important to me to reveal the often-overlooked artistic, cultural and natural beauty of Iran – beyond the images with which the country is usually associated.
Yet my motifs are created wherever something moves me: from the architecture of Vienna and the colours of Cuba to the natural beauty of Austria and the landscapes and ornaments of Iran.
The beauty of the world knows no boundaries. Neither does the world of my motifs.